Guest Post: 5 Must know Tips for Fantasy Worldbuilding #fantasy #writingtips

Over the last year I have been reading writing guides and attending the odd writing webinar. It’s always good to keep learning the craft no matter where you are in your writing journey and that’s why when Desiree offered to write a guest post for me about fantasy worldbuilding, I thought it was a great idea. Read on for some very interesting tips…

5 Must-Know Tips for Fantasy Worldbuilding

Many of the best fantasy novels are considered such because their authors have painstakingly attended to every detail of their fictional worlds — from character names to the mechanics of each battle scene. Indeed, a truly immersive piece of fantasy is no mean feat, and often requires a fine balance between fabrication and reality, smaller details and broader brushstrokes. If you’d like to learn more, have a look at the tips below!

1. Take inspiration from the titans

Reading esteemed fantasy fiction is a surefire way to learn the ropes of worldbuilding. Authors who have found success with their fictional worlds will attune you to readers’ tastes and teach you the conventions of fantasy writing. You’ll learn how the experts incorporate detail into imagined worlds, as well as tips for portraying villainous and heroic characters in the context of those worlds (not to mention you’ll see firsthand what doesn’t work as well).

We’re not suggesting you rip off Harry Potter. For starters, you’re unlikely to ever get a book deal if your book is a warmed-over version of somebody else’s work — but also, the best fantasy is always the product of a person’s unique imagination. Having knowledge of your genre will simply help you carve out your own niche (and prevent you from unintentionally writing a story that’s been done a dozen times already). You’ll be able to blend tried-and-trusted conventions with your own fresh takes for the perfect reader experience of your fantasy world.

2. Blend fantasy with reality

Fantasy is often at its most gripping when its world contains eerie parallels to the world we live in — or if our world were to take a turn for the worst. Take Margaret Atwood’s The Handmaid’s Tale: a macabre story exploring what life might be like if women were brutally subjugated and forced to work within the confines of childbearing. It might feel pretty far from contemporary times, but there’s no doubt that women have struggled for emancipation, and still do, in many facets of their lives — especially when it comes to bodily autonomy. In this sense, Atwood has harnessed SFF to comment on a pertinent political issue, to great effect.

Atwood’s worldbuilding is so powerful because it takes an aspect of reality to an extreme (yet comprehensible) conclusion. It’s the type of writing that makes your spine tingle because one day it might just become a reality. If you can apply this sort of connection to your own worldbuilding, you absolutely should!

3. Do your research

A lot of fantasy is inspired by a particular time period or setting. Before you attempt to counsel your readers on the technicalities of shooting a poisoned bow and arrow, or describe the minutiae of Medieval court life, you’ll need to brush up on your knowledge of the subject at play.

Sometimes it’s as simple as scrolling through a Reddit thread; other times you’ll need to consult more serious literature, especially when the topic is fairly specialized (don’t make the same mistake John Boyne did!). Research will help you write confidently about the ins and outs of how something works, or everyday life in the world you’re basing yours on. Of course, fantasy is necessarily fantastical, but your worldbuilding will fall flat if your story is located on an ancient battleship and your descriptions are completely unrealistic w/r/t how battleships operate.

All that said, if you’re a new writer, don’t go overboard with the research. You don’t have to be a complete stickler with the facts (you’re not writing a history book, after all!), and there is always opportunity to make things up — but it’s important to give your work a degree of accuracy and credibility. This way, readers won’t switch off because your story seems too bizarre to be true.

4. Remember that the devil’s in the detail

There’s a reason people don’t just love Lord of the Rings, but are committed to keeping its lore alive on internet forums and at conventions across the globe: Tolkien spent so many years developing the detailed, complex world of Middle-Earth that it has transcended the texts themselves. It’s what every fantasy writer dreams of — but that doesn’t make it easy.

If you’re secretly hankering after a devoted fanbase for your work, it’s worth putting the extra effort into details that go beyond the sweeping brushstrokes. Thoughtful character and place names are a good start, but think about how you could develop other quirky bits of information that readers can analyze, discuss, and dissect. This could be anything from architecture to flora and fauna, particular music instruments to a customary greeting; the possibilities are endless.

5. Keep it consistent

Keeping the details of your novel consistent is good advice for authors of all genres, but it’s particularly important for fantasy writers. Why? Because, again, fiction that transcends reality requires the reader to buy into the world you’re selling them — and that includes every last bit of it. Chopping and changing details will look sloppy in any piece of literature, but in fantasy could turn readers off entirely.

To that end, try to keep a document (separate from your manuscript) where you keep track of character names, places, the functions of certain objects, and other features of your lore. This might include the rules and regulations that exist in your kingdom, the historic events that have taken place there, and the makeup of its people. This way, you’ll always have something to refer back to when these details come up again — not to mention you can write faster when you don’t have to keep paging back and forth in your manuscript to hunt them down.

Hopefully, these tips will make the process of creating your fictional universe a little smoother. But the most important tip of all is to have faith that your own imagination will take you (and your characters) to exciting and unexpected places. Happy worldbuilding!

About the author of this post – Desiree Villena is a writer with Reedsy, a marketplace that connects self-publishing authors with the world’s best editors, designers, and marketers. In her spare time, Desiree enjoys reading contemporary fiction and writing short stories.

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Suzanne Rogerson – Author of epic fantasy and heart-warming romance

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10 Writing tips during writing slumps / lockdown #writingtips #amwriting

Everyone has days when they just can’t find the inspiration to write.

I’ve heard from writing friends that they’ve found it especially hard to find any creativity over the last few months what with lockdowns and the pandemic. Thankfully I haven’t suffered with lack of inspiration but I have found it hard to adjust to having family around during my writing time and helping / nagging two teenagers about their home school lessons can be draining.

I thought it would be a great time to share some of the tips I’ve found helpful now and in the past to help me keep my writing mojo.

10 Tips to writing through a slump

  1. Allow yourself time to write. Giving yourself the permission to write frees up your subconscious and hopefully your creativity.
  2. Write anything and see what arrives on the page. Lately I’ve managed to write some short stories by just starting with whatever comes into my head.
  3. Experiment to find the right time to write. Are you most creative first thing in the morning, evening, in bed at night? I’ve discovered first thing in the morning before I even get out of bed is my optimum creative time, though I used to love writing before I go to sleep too.
  4. Find the right medium to get down your ideas. For me that’s pen and paper or in a beautiful notebook. Maybe you like to type directly on your laptop, put notes on your phone or maybe a diary or journal.
  5. Typing up ideas you’ve scribbled down and giving them a working title can really get the creativity going as you see the story emerging on the page.
  6. Use idea spinners; Title prompts, picture prompts, story cubes, online sites, competition story prompts, news articles, or whatever springs to mind as your pen hits the paper.
  7. Have a writing journal or a place to scribble down ideas or bits of stories. When you are stuck for an idea it’s great to be able to flick through your past scribblings and see if anything inspires you.
  8. Maybe it’s time to revisit an old novel or short story attempts. I like to print them off, or even better send them to my ipad or kindle. Then, armed with a notebook and pen, I can read through them as a normal book and make notes on what needs changing or expanding.
  9. Sharing stories with critique partners can help you find out what’s not working and talking it through may just inspire you to finish it. One of my beta reader’s recently pushed me to reconsider the whole mood of a story and I realised making my character so morose was stopping the reader from connecting with her.
  10. Write with a friend. You can spur each other on. This is something I’ve been doing with one of my writing buddy’s Jackie. She decided to start sharing the story on her blog to force her to write more. Here are the links so far; The day of the Badger (working title) Part One , Part Two.

A few points to remember

  1. Write now. Edit later.
  2. Don’t think too much about the story. Allow your mind to work as you go along and be amazed at the story that unfolds.
  3. Don’t hold back.
  4. Don’t expect it to be a wonderful first draft. The fun is in the editing, at least it is for me!
  5. Enjoy yourself. Writing and creating is the best natural high there is.

I hope these tips have inspired you to write.

Do you have any great tips to share?

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Suzanne Rogerson – Author of epic and heroic fantasy

You can follow me on

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11 Tips to Creating Heroic Characters #amwriting #writingtips #writingadvice

I’ve been neglecting my blog for longer than I care to admit. Writing and publishing has taken over my life but I’ve missed blogging and connecting with people. So today I decided to share my thoughts on creating characters. I wrote this guest post for another blog last June for the release of The Sentinel’s Reign. Unfortunately, the blog in question is no longer active but I really enjoying writing this and wanted to share it with you.

It’s all about character

Writing characters that touch readers is something I’ve always wanted to achieve. Raised on a diet of David Gemmell and Robin Hobb, authors who create such vivid and heroic characters, how could I aspire for anything less?

When I create characters they stem for a tiny seed of an idea or a scene that just pops into my head. I allow them time to grow naturally while I jot down some scenes. Later I go back to flesh out the details and build upon their history and how it has influenced them. They soon become like people I’ve known my whole life.

Some reviewers have pointed out how my character, Tei, is immature at the beginning and rebels at the situation she’s thrust into. With time and experience, she starts to mature and accept her role. That feels like a natural progression to me. Who would like to wake up in the morning and be told ‘By the way you’re off to save the world today, go pack your bags.’

I like how characters slowly reveal themselves to the reader. You don’t meet people and find out their life story in the first 5 minutes, although I have met a few people who do tell you everything and I wouldn’t want to embark on an adventure with them!

Characters are the lifeblood of any story. I can’t imagine writing anything without starting with a character. However vague and unknown, all I need is a character in a situation and then I’m away writing and the ideas start to flow.

When I think about my books – Visions of Zarua and Silent Sea Chronicles trilogy – the characters are what make the whole process worthwhile. I love them like family and I feel the pain and heartache they suffer. I urge them to find the courage to fight on even if everything is set against them.

I’m drawn to things with strong, heroic characters, be that in books, films or TV series. So with this in mind I thought I would share my tips to creating those kind of characters.

 

11 Tips to Creating Heroic Characters Your Readers Will Love

1. Let the characters find you
I cannot sit and draft out a character from nothing, instead they need to come to me. It starts with a situation, a scene or just a snapshot of the character in my head. I write and develop on that first impression and see who has come to tell me their story.
The Silent Sea Chronicles started with a young woman lost in the forest. With her father dying, she was completely alone until two strangers arrive. From that tiny beginning, a trilogy has grown.

2. Flaws all the way
No one likes a perfect person and if your character is perfect, it’s unrealistic. There is no room to develop and change over the course of the novel. Flaws make the character. Tei is immature and naïve at the beginning of the trilogy, but by the end my readers have commented on how much she has matured.
Both Brogan and Farrell are driven by the need to do what’s right, but that is also their flaw because they have to make difficult decisions that costs lives.

3. Everyone loves an unlikely hero
It is a troop, especially in fantasy, but the fact is if the hero of your story starts out unwilling and is thrust into situations they are not equipped to deal with, they will become better characters for it.
A word of caution though – make it for the right reasons not just to fit the story.

4. Give them backstory
Characters are shaped by their past and it gives them greater depth if the reader can slowly learn about the history of the character before the story takes place. It makes them seem more real, as though they live beyond the pages of the novel.

5. Make them suffer
Everyone in life suffers. The more your characters suffer, the more they can develop. Plus it would be boring to read (and write) about a character that doesn’t have any life changing events happening to them.

6. Allow them to love
Emotions help the reader connect with the character. Whether that is love of family, friends or a love interest. To me that love, and what the character is prepared to risk saving it, defines them and the book you are writing.

7. Allow them to grow
All great heroes need to learn how to become a hero in the first place. Showing that growth will also help the reader connect with the characters.

8. Let them make mistakes – the worse the better!
How else do we learn as human beings? How bad the mistake, how many others are affected, or die because of that mistake is up to you. The darker the outcome, the heavier the burden your character must carry.
Tei feels her decisions have led to people dying and this shapes her decisions and the relationships she forges. Brogan too feels that his decision, or what he perceives as cowardice, lead to catastrophe events.

9. The path to happiness is never easy
Like most people, I like a happy-ending. But I want my characters to battle for their lives to get there.
Often, as with life, that moment is bittersweet. Not everyone can have a happy ever after, it’s just not realistic.

10. Kill off your darling – literally!
My motto whilst writing the Silent Sea Chronicles has become ‘No one is safe!’
It makes the plot less predictable to the reader and hopefully sparks some emotion in them.
If a book makes me cry then I know it’s a good one. I want to evoke that same feeling in my readers. I know the emotional response will be different for every reader, but the Silent Sea Chronicles has made me cry, so if I can’t please everyone, at least I have pleased myself.

11. Villains matter
The villains your heroes are up against can be larger than life evil, as long as they have a motive to act the way they do. And make sure they are a worthy threat, and have a credible backstory too.

A final note about characters.
I have created characters I would want to be friends with, to love or to have as a family member. I even care for my villains, who aren’t all bad deep down.
To make the reader care about your characters, first you, the writer, must care deeply for these wonderful people that inhabit the world you have created. Hopefully your love will shine through in the writing and the readers will form those same bonds and root for your characters too.

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I hope you enjoyed my tips on creating characters and I hope to be back with more tips soon.

Suzanne Rogerson – Author of epic and heroic fantasy

Visions of Zarua   The Lost Sentinel   The Sentinel’s Reign   The Sentinel’s Alliance

You can follow me on

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Review of Gollancz Writers’ Day and tips to enjoy a writing conference #SFF #fantasy #writerstips

I had a wonderful time at the Gollancz Writers’ Day last week. There were 32 aspiring authors attending, all of us writers of fantasy, sci-fi and horror. I chatted to some lovely people and swapped details with a couple of them. I’d like to have done more mingling, but I’m still very shy and find it hard to put myself out there. Now that I’ve done this though, I’m hoping to go to more events tailored to my genre and will try harder to make connections with other writers.

A brief overview of the day

We met the editors and learnt about the life of a book, from the moment an editor loves your book (and they have to love it to take it on), through the acquisition meetings and all the editing stages involved. A few other areas they discussed were titles, book covers, royalties and rights, and audio books.

I was really surprised to learn Gollancz try to have a book ready a year before its publication date. I was also surprised how much time an editor will invest in the book before the copy editor and then the proofreader get their hands on it. It sounds like an exhausting process, but all with the aim of making the book come alive to the reader.

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We then met the sales, marketing and publicity team and learnt a great deal about their processes including how they reach readers and gain reviews. This was really interesting for me as a self-published author to compare with my own attempts at marketing.

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After lunch we met two lovely Gollancz authors, Pat Cadigan and Adam Roberts. Their talks from an author’s perspective were both informative and entertaining. I was also able to chat to them during the coffee break and at the pitching event at the end of the day. Both were friendly and had some great stories and knowledge to share.

Note – Right at the end of the day, our small group were with Pat Cadigan. She talked about making it as a writer and sticking at it. She said something that will stay with me, ‘…I don’t know of any author who hasn’t made it in the end…’ That gives me hope!

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Finally, top agent Juliet Mushens gave a presentation on submitting to agents and then held a Q&A session. I made plenty of notes to refer to later and it was very insightful to learn how she deals with submissions from that first contact to negotiating the deal with the publishing house. It was also daunting to hear she receives around 500 submissions per month.

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After a short break, we split into small groups. Each group had 15 minutes with either Juliet Mushens, one of the Gollancz team or the writers mentioned, to take turns practicing our pitches. There was also an unexpected appearance from Ben Aaronovitch – author of Rivers of London who gave our group some personal tips on the life of an author on tour.

After 15 minutes, each group moved along to the next professional to pitch to. Imagine speed dating and you’ll get how it went.

This pitch session was my most anticipated part of the whole day and I jumped at the opportunity to pitch to Juliet Mushens who has been an agent on my ‘wish’ list since 2013 when I first looked into the possibility of finding an agent. I also managed to pitch to Marcus Gipps the Editorial Director of Gollancz. Both seemed impressed by my pitch for Visions of Zarua and gave me some great pointers to improve it. That kind of experience is priceless and I hope to put what I’ve learnt into practice very soon.

 

Conclusion

The people at Gollancz were warm and friendly. The writers’ day has helped demystify the agent and publishing industry, and I can now appreciate how incredibly hard it is for a debut author to get published. I won’t give up on the dream though, because it’s got to happen to someone.

I highly recommend all writers take the opportunity to attend a day like this, especially if it’s specific to your genre. Although I was nervous leading up to it, I would jump at the chance to do it again!

One other thing I wanted to mention – I may have been the only one to have self-published in this group of aspiring authors, I don’t know as no one I talked to mentioned it, but I wasn’t made to feel inferior as I have done at other conferences. The people were all supportive of each other, no matter what stage anyone was at in their writing careers. I’m proud to have self-published and to have realised my dream on my own terms, and I would recommend it to other authors if you have the time and money to invest in your book, but there’s no denying it’s hard work. I can see the many benefits of having the backing of an agent and a publisher behind you, and how if you were an author for Gollancz you might feel like you were joining an extended family.

Having the Czech publishing deal for Visions of Zarua and attending the Gollancz Writers’ Day has inspired me to start subbing again.

It was also really interesting listening to the panel talk about the acquisition meetings and how many stages a book must go through before it’s accepted by a publisher. It gave me a warm glow to realise that Visions of Zarua has gone through that process at Fragment / Albatros Media. Just yesterday I saw the cover proof for the hardback edition and it is amazing – very close to the image I had in mind before I found my own cover back in 2015 – I still love my version too!

 

My tips for a successful day at a writing conference

Arrive early – It take away the stress of bursting in late when you’re hot and sweaty and panting like you’ve run a marathon. It gives you a chance to settle your nerves and meet the others who also managed to get there early. Plus it’s so much less daunting than being the last to arrive and everyone else already appears to have made friends.

Sit at the front – Don’t be shy. It’s good to make eye contact with the speakers and you can hear everything being said. Plus it feels easier to ask questions when you don’t have to shout to the other end of the room.

Come prepared with a list of questions – You may or may not ask them, but it’s better to be prepared with something. And though you may be filled with nerves, it gets easier each time you force your hand up and step outside your comfort zone.

Make notes – You’ll never remember everything that’s said, and it’s great to go back over the day and remember those little nuggets of info you’ve scribbled down.

Mingle and make connections with the attendees – Some great advice we received was to remember that the SFF crowd is a small community and that we may well keep bumping into the same people at these events. They suggested making friends now and growing together, supporting each other. That’s such an important part of developing as an author and I feel more confident about doing this now.

Speak to the speakers – From the audience you may see the speakers as confident professionals and feel awed by them, thinking you could never be in that position. But if you get the chance to speak with them during a break or at the end, it can really help you see them as normal people and help your own confidence levels. I loved the opportunity to speak with published authors, to know that maybe none of us are really that different.

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I hope I’ve inspired you to try out a writing or publishing event and if you were at the Gollancz Writers’ day please contact me and say hello.

If you know of any SFF events in the UK please share them in the comments. I’d love to get a list together and try to attend some.

I’ll start with this;

The British Fantasy Society have just announced their BFS London Social on 7th December at Central Station Pub. Here’s a link to the BFS website.

And

Gollancz have promised to bring back Gollancz Fest in 2019 (something I’ve heard of but never attended). I am making a promise to myself and to you that I will attend in 2019. Who knows, maybe I will meet you there.

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#WWWBlogs Update and Goals for Autumn 2018 #amwriting #selfpubtips

I have been very quiet on the social media front these past few months, hoping to work hard on my draft of The Sentinel’s Alliance. That has not gone to plan but I have been doing lots of other exciting things and thought I would share them with you. Maybe you can pick up some tips for things you can be doing with your self published books.

Note – This whole situation came about because of Rebecca Howie’s post on The Backdoor to Bookstores. As you can guess it’s about getting your books into the bookshops, something I had thought impossible and didn’t bother researching. Her post has led me to;

  • Register all my books with Nielsen via a simple emailed form. This means my books can now be found on the website of most bookshops like Waterstones.
  • Ask my local Waterstones branch about stocking my books. I am waiting to hear from the relevant department.
  • Contact my local library. Again I am waiting to hear from the relevant department but the librarian was hopeful it would be accepted. If not I still have the option of donating copies for them to lend.
  • I already had a PLR account but my books weren’t on file. As I’ve now registered the books with Nielsen I can apply for my books to be added to my account. Again I am waiting for them to be processed.
  • Today I am posting a physical copy of each of my books to The British Library. Once deposited, there will always be a copy and a record of my work, though they did warn me the backlog was 3 or 4 months.

 

My next steps

  • Contact local indie books stores – I already have a list to work through.
  • Print some leaflets with LOCAL AUTHOR and hand them out around my local towns.
  • Look into book festivals for 2019 with a mind to having a book stall.
  • Look into having an audiobook produced for Visions of Zarua through ACX. I can go with the 50/50 split with a producer and pay nothing up front so there is nothing to lose. My main concern is the voice – I have 4 VP characters 3 of which are male. I think I will have to request a male narrator, though I’m not keen on men doing female voices and vs versa. Varnia is such a strong character, I would hate for her to lose that edge in an audio version.

 

Other news

I have just switched my paperback books from Createspace to KDP. It was a very simple process and took just a few minutes with the automated programme KDP have developed. Rather than try to explain it myself, I read a great post about it yesterday on Nicolas C Rossis’ blog.

 

Now onto my writing challenges for Autumn 2018

  • Finish my draft of book 3 asap, though I’m still coming to grips with the mess I made of it during Nanowrimo last year!
  • I want to try to plan the Prequel of Silent Sea Chronicles whilst writing book 3, ready to start work on it in 2019.
  • Write the draft of a new novella during Nanowrimo. I want to aim for a word count of 30-40k.
  • Enter at least 5 short story competitions. I have 5 stories edited, critiqued and ready to go and I think I have picked some good competitions to try.
  • Enter a few first chapter competitions.
  • Look for Self Pub novel competitions to enter that don’t cost loads of money
  • Work on new short story ideas for a possible anthology in 2019. I’ve already seen a couple of covers that I would love, but I can’t jump ahead that much, can I?

 

Other things I need to focus on in 2018

  • Promos for all books, including working on my AMS ads which I’ve heard is now changing anyway.
  • Contact reviewers – look for new opportunities and contact previous reviewers. It’s been a difficult summer for many reviewers so I’m hoping to reconnect with some of them during autumn/winter.
  • Write up my book reviews and post weekly. I like to do this on a Tuesday with the #tuesdaybookblog tag set up by Rosie Amber.
  • Study writing fiction for YA and decide if I want to head in that direct at some point. Some readers already class my Silent Sea Chronicles trilogy as YA so I’m interested to see why and if I should be targeting that market.
  • Finish my Goodreads reading challenge, which I am just about on target for.
  • A future goal I want to think about for 2019 is setting up an author newsletter. I know I should, but it’s one of those jobs I’ve been putting off.

 

It feels good to write down my achievements and my goals. I shall print off this list and pin it to the wall by my desk for inspiration and to keep me on track.

This list will easily take me to the end of the year. I just need to focus and stop getting distracted. I did find this post from Ari really helpful about her own September 2018 goals and working towards them each week. She shares lots of great advice and her site is well worth a visit.

Lastly, if you are looking for motivation you really should read this book – Overwhelmed Writer Rescue by Colleen Story. I reviewed it last year and it is packed with advice. I must revisit my copy.

I hope I have given you some ideas and if you have any tips to share or other routes I can follow as an indie author, please comment. I feel as though I’ve been out of the blogging loop for ages, so I’d love to reconnect with people.

 

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#Tuesdaybookblog #bookreview How to write a fantasy book description by Jesper Schmidt @SchmidtJesper

My review of ‘How to write a fantasy book description’ will follow, but first take a look at the blurb.

Blurb

Do you find it difficult to write the blurb for your book? Do you hate writing book descriptions? 

If your synopsis always comes out bland and boring, with no chance of leading to more book sales, then this guidebook is for you.

How to Write a Fantasy Book Description is a step-by-step approach. It lays out everything you need to know in five simple and effective steps.

Learn how to hook readers by:

  • Writing incredible taglines that grabs attention
  • Escalating the tension throughout your blurb and captivate readers
  • Using spellbinding words to dazzle customers
  • Learning how to avoid meandering into subplots and instead make your blurb a joy to read
  • Understanding how long your blurb needs to be and how to use cliffhangers effectively
  • Discovering easy methods to format your blurb before uploading to online retailers like Amazon

In addition, you will find bonus chapters on how to write book descriptions for series, box sets and non-fiction.

If you like easy to follow instructions, sprinkled with helpful examples, then How to Write a Fantasy Book Description is for you.

Jesper Schmidt is a fantasy author. He is the creator of several how-to books, like the bestselling Fantasy Map Making and Twitter for Authors.

write a fantasy desc book

 

My Review

I follow Jesper Schmidt’s newsletter and when he asked for people to join his launch team for this book I jumped at the chance of an ARC. I have read both his other How to books and found them very helpful. Here’s my review of Twitter for Authors.

Fantasy Map making is a book I plan to use in the future and I will review it once I have created the world maps for my Silent Sea Chronicles trilogy.

I find writing book descriptions very difficult and with the publication of my second book looming, the timing of this how to guide was perfect. Mr Schmidt starts with how important book descriptions are and gives 5 common mistakes authors make.

He then talks us through 5 steps to creating a great blurb including tag lines and character introductions. He uses examples of current blurbs on Amazon to showcase his points and there are task lists at the end of each chapter to help you keep focused.

What I found really helpful was the author using his own fantasy book blurb and walking us through the process of how he came up with his killer blurb, including his mistakes.

After helping you draft your blurb, the book focuses on the editing stage and gives you areas to check like repetition and boring middles.

There are a couple of extras which are handy – blurbs for box sets and series, formatting and an appendix of words relevant to fantasy.

The whole process of writing a book description feels much less daunting when following these steps. I highly recommend this book to all fantasy authors out there.

Amazon link

On a personal note – I  used the knowledge from this book to update my blurb for The Lost Sentinel before I ran a kindle countdown deal on Amazon. I’m glad to say that I sold more copies than I had with previous promotions!

Check this how-to guide for yourself on Goodreads

 

Guest Post with writer Ari Meghlen #writingtips #amwriting @AriMeghlen

Today I’m really pleased to share a guest post from fellow writer, Ari Meghlen. She has some great tips for keeping your writing projects under control. Read on to find out more…

 

Keeping the Rabble in Line: How to stick to one story

A Writer’s Life

I always knew I was meant to be a writer.  Even in those very early years when I struggled to read and was way behind, regarding reading levels compared to other children my age.  After all, my inability to read well never stopped the ideas from coming.

While I loved to draw and was not bad at it, art never seemed enough to give all these ideas life!  So, writing was the only way to go.

A Rabble of Chattering Ghosts

I have been blessed (and cursed) with always having ideas.  Any time I suffered writers block, it was usually due to mental burn-out or a stubborn plot-hole that just won’t play ball.  It was never due to lack of ideas.

I appreciate that is something I am lucky to have.  However, it does have its downside.  It’s certainly hard to complete a current project when some juicy new idea pops up demanding attention.

I recently discussed the concept of Muses and how to me, my Muses were a rabble of chattering ghosts.  And might I say, they’re a rude, demanding lot too!

Their chatter follows me everywhere – in the car, in the grocery store, in the shower.  I am forever reaching for a pen or grabbing my phone to jot down a note.  It can be anything from a character, a scene or just an abstract concept or question.

It is awesome to have so many ideas.  I love that I have enough ideas to keep me going for years to come.

However, it’s also a bad thing because all this chattering is a deep distraction.  What is the point of having enough ideas for dozens of books, if I never finish any?

Acknowledging Bad Writing Habits

When I was younger, I fell into very bad habits.  The ones where I would drop a working project (no matter how far into it I was) to start another.  I felt as if every time a new idea crept up, I had to seize it!

That entailed abandoning story after story as I chased down whatever my chattering ghosts gave me.

This is a great route for disaster as a writer.  Does it sound familiar?  Have you ever caught yourself doing this?

We do it for many reasons, here are just a few:

  • New and Shiny – I feel like writers are a bit like magpies. We are easily distracted by shiny objects and new ideas are those shiny objects.  They draw our eye and it becomes our focus… until the next shiny appears.
  • FOMO – Fear of Missing Out is a big one for people. Whether you get an idea for a story that is in a trending genre and want to exploit that, to feeling the new idea would be a better, more solid first novel to bring out than your current one.  Sometimes we fear missing the opportunity that might be better for us.
  • Ninja Level Procrastinator – Many writers don’t realise, but story-hopping is a type of procrastination. Some people have a (often unconscious) fear of completing their work so story-hopping allows them to procrastinate and never actually finish while still considering themselves writers.

But as writers, no matter what our reason, it’s not something we should do.  It is more damaging in the long run.

Exorcise the Ghosts with a Brain Dump

So, what do you do if you’re bombarded by ideas all the time?

First, you need to acknowledge the new ideas. 

Don’t try and ignore them as some will slip away, and you might always wonder if it could have been something great.  Others will just bang loudly on the door, constantly demanding entry and stop you from working anyway.

Second, exorcise the ghosts with a good, solid brain dump. 

This is where you just get all the chatter out of your head.  Open a new document, save it in an Ideas folder and then just type.  Whatever they are giving you – character descriptions, scraps of scenes, plot, dialogue, questions.

The idea here is to purge your mind of all the noise but don’t expand on it.  Don’t jot down the basis of a plot and then spend 3 months developing it.  That’s working on the project, whereas what you want to do is just create notes.

All the while remind yourself that your current project is being delayed and you must go back to it.

Third, expect that this brain dump might not be 100% done in one sitting. 

For the few days following, additional pieces of ideas may pop up.  Keep your Idea file open while you’re working on your current WIP and just jump into the document to add the odd nugget as it comes.

This is JUST for the straggler ideas and should not go longer than a few days.  Anything beyond that and you’re working on your new project.  Be firm, give yourself a cut off.

When you’ve gotten the chatter to hush, throw your focus back at your current WIP with vigour and let the idea sit patiently in its folder.  Ideas must be taught to wait their turn.

Be Firm, and Cling to Your Discipline

While writers could possibly do with some drill sergeant keeping us in line, most of us don’t have that so we must rely on our own sense of discipline (terrifying, I know!)

But if you want to be a writer, if you want to complete something and get it published, you need to be firm.

Don’t read the notes you’ve made on your new project.  Don’t keep thinking about it.  Believe me when you come back to those notes eventually, they will still trigger ideas and you can build on it then.

Why an Outline can help keep the Ghosts under control

There is a lot to be said for having an outline of your work.  If you have a strong, detailed outline written for your current work, you will find that the desire to drift off to new projects is somewhat diminished.

This is because often writers will feel a spark with new ideas, especially if they aren’t 100% sure where their current work is going.  So, rather than just sitting staring at a screen and dealing with the plot-hole or up-coming conflict, we drop it and turn to the new project.

An outline is a map, showing you the way.  It reduces the need for staring blankly at a page, trying to figure out where you’re going in the story.

I was a pantser for a long time and my work has suffered because of it.  I have been much better since I (with brutal reluctance) started to do full, detailed outlines.

Those whispered ideas don’t grab me as tightly any more because my focus draws right back to the next scene I need to write in my current WIP.

 

So, do you often find yourself swayed by the siren of new ideas?  How have you managed to stop yourself from dropping one project to start another?

 

A big thanks to Suzanne for letting me be on her blog, much appreciated.

 

About Ari

At the age of 8, Ari Meghlen wanted to be a pirate, because who doesn’t look great in baggy pantaloons and an eyepatch.  However, lacking any access to a ship this dream was relegated along with so many others: Professional Ninja, Best Friend to a Dragon, Palaeontologist.

Yet Ari found that, in stories, she could be anything she wanted and so a great love affair started with the written word.  She mainly writes Preternatural Urban Fantasy as well as more Traditional Fantasy.

When she’s not creating worlds from the screaming, shuddering recesses of her mind, Ari can be found blogging about writing on her website or indulging in other hobbies such as drawing, shooting arrows, watching movies, playing cards badly.

Me-BW

Links

Website/Blog:  https://arimeghlen.co.uk/

Facebook Author Page: https://www.facebook.com/writerarimeghlen

Twitter: http://twitter.com/arimeghlen

Instagram: http://instagram.com/ari_meghlen

10 Tips for re-reading your novel after publication #indieauthor #amediting

A few weeks ago I re-read The Lost Sentinel (Book One in the Silent Sea Chronicles). I loved the experience of reading my own book in paperback, and I had the brilliant idea to use post-it notes to highlight things as I went along. These may have been facts I wanted to check in book 2, reminders for planning book 3 and the prequel, spelling or grammar niggles, places where the Astral Plane was mentioned etc.

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I loved the blue post-its matching the cover, but I soon discovered the disadvantages of this method. I didn’t write on every note exactly what I was supposed to be checking. Going through it afterwards, not all the highlights made sense and I couldn’t find any problems with the text. Having suffered this problem, I thought it would be a good idea to share my top tips…

10 TIPS FOR RE-READING YOUR WORK AFTER PUBLICATION

  1. First decide why you are re-reading and what you want to get out of the experience.
  2. Don’t be scared! If, like me, your book has been read and reviewed you have those reviews to fall back on. Perhaps they have flagged up issues you need to address, or maybe you can just read them as a confidence boost.
  3. You have to let go when you re-read. So you’re suddenly not happy with the placement of a comma, or you think a sentence could be rewritten a little better. Ask yourself is it really that big a deal? I’m never satisfied with my writing, so I decided that I had to overlook some of the little niggles or I’d end up rewriting the whole thing! I did make a couple of changes, but this wasn’t an exercise in making The Lost Sentinel better, I wanted to read the sequel straight after to ensure the books worked as a series. (Thankfully they do.)
  4. Have a notebook handy to jot down any facts that need to be checked, or issues to work through.
  5. Post-it notes are great as they allow you to mark a section you have an issue with and let you get on with reading without breaking the flow. BUT make a note of the point you’re highlighting! It saves time later on.
  6. Colour coding the post-its is a quick and easy shortcut. I went back and did this afterwards. I used different colours to represent book 2, 3 and the prequel. A different colour for the scenes that featured the Astral Plane, and finally any changes that needed working through were transcribed into my notebook to work through later.
  7. Be prepared to love and hate your own writing. I had ups and downs re-reading The Lost Sentinel. When I was feeling down, I looked back over those reviews on Amazon and Goodreads. It’s always good to be reminded that others have enjoyed the book and loved your characters.
  8. Don’t forget to celebrate your achievement. Publishing a book is amazing. Enjoy holding it, reading it and savour the whole experience.
  9. Once the re-read is done you have to decide what changes are really necessary. Then you’ll need to update the e-book and paperback files before re-submitting them to your chosen platforms, in my case Amazon and Createspace.
  10. Finally, double-check everything you’ve changed is correct once it has been published. It’s worth taking your time and making sure the book is the best you can make it. Then hopefully future re-reads won’t result in more changes.

 

I will probably go through the above process when I’ve finished writing book 3, and for any future books in the Silent Sea Chronicles. Hopefully next time around it will go more smoothly. And I hope you can take something helpful from this as well.

Have you any tips to share when re-reading your published work?

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Silent Sea Chronicles is a heroic fantasy series set on the magical island of Kalaya.

Book 1 – The Lost Sentinel is available now at Amazon.

Book 2 – The Sentinel’s Reign will soon be sent off to my second wave of Beta readers. And then after a final edit and proof read, I will hopefully be ready to publish by May. Closer to the date I will have a cover reveal – I can’t wait to share the amazing cover with you.

Thanks for reading. I hope you will continue you follow my journey as an indie author.

 

Books on my TBR shelf for 2018 #amreading #readingchallenge

At the start of 2017 I wrote a list of the books I planned to read. Unfortunately, I didn’t manage to reach my goal because I spent most of my time editing rather than reading. Looking back at the books I did read in 2017 I noticed I haven’t read as much fantasy as I would like. So in 2018 I hope to immerse myself in the genre.

I decided to record a few of the books I plan to read and hopefully by telling you all, it will inspire me to keep on track. Here goes…

Ash and Quill (The Great Library book 3) – Rachel Caine

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(Book 1 and 2 were my Christmas reads over the last few years and I loved them. I’m 100 pages into book 3 and loving it just as much.)

A Gathering of Shadows (Book 2) A Conjuring of Light (Book 3) – V E Schwab

(I loved book one and chose it as a standout fantasy read for me in 2017. Here’s the post.)

Queen of Fire – Book 3 – Anthony Ryan

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(When I read book 1 – Bloodsong a few years ago I knew I had discovered my new David Gemmell in this author. I enjoyed book 2 almost as much, but for some reason haven’t got around to reading the last book.)

Magic-Born – Crown of Stones book 3 – C L Schneider

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(Crown of Stones is another great series that I can’t wait to finish reading.)

Magisterium books 2, 3 and 4. Holly Black and Cassandra Clare.

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(A brilliant children’s series that my son and I adore. Hopefully the last book will be published in 2018?)

Rhyming Rings – David Gemmell

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(David Gemmell is my all time favourite fantasy author! When I heard this unpublished book was being released in 2017, I snapped up a copy. I’m waiting for the right moment to sit and read this book without any distractions.)

Keepers – Sacha Black

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(I’ve followed Sacha’s blog for quite a while now and have been eager to read her new book, which I won in a blog competition. I’m hoping it’s one I can recommend to my son as well.)

Caraval – Stephanie Garber

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(Some of the reviewers I follow have loved this book and it’s on the strength of their reviews that I bought this. I’m looking forward to checking it out.)

I also have trilogies by Joe Abercrombie and Brandon Sanderson to complete, and it’s about time I started Throne of Glass by Sarah J Mass to see what all the fuss is about. I also hope to read some writing guides early in 2018 including;

111 tips to create your book trailer

111 tips to get book reviews

111 tips to market your book for free (all by Doris-Maria Heilmann)

13 steps to evil by Sacha Black

Fantasy Writing Prompts by Rayne Hall.

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Currently I have 283 book on my To Read shelf on Goodreads, bookshelves full of unread paperbacks, plus the kids have lots of books they’ve been recommending, and I have more books on my kindle and audiobooks to listen to. So once I’ve tackled the above list, I have plenty more books to choose from. Have you got any books that you think I should read in 2018?

What are your reading goals and what’s on your must read list?

Here’s to another year of great books. Happy reading!

#tuesdaybookblog The Writer’s Lexicon by @KathySteinemann #bookreview

The Writer’s Lexicon should be on every writer’s desk! Read on to find out why.

Blurb

You’re a writer. You just read your manuscript and discovered your characters nodding like marionettes in every chapter. When they’re not nodding, they’re rolling their eyes.

Oops.

Time to slash the Pinocchio strings and turn them into real live people. Award-winning author Kathy Steinemann will provide the tools. She cuts through the so-called rules and offers simple solutions.

Too many repetitions of “little”? There’s a cure for that. Do you rely on “very” too often? There’s a cure for that too. You’ll find the remedies in this book’s dispensary.

Should you ever use anything other than “said” to attribute dialogue? Are exclamation points taboo? The answers might surprise you.

Learn how to harness body language, cut hackneyed adjectives, and draw on the environment for ambience. No more wooden characters. You’ll transform them into believable personalities your readers will learn to love. Or hate.

Get in the driver’s seat, relax, and enjoy your journey—with Kathy Steinemann’s book as your GPS.

My Review

The author contacted me about reviewing her book and I’m so pleased she did. When I read the line ‘…characters nodding like marionettes in every chapter’, I knew this was a writing resource book I had to read.

It couldn’t have come at a better time for me as I’m in the process of fine-tuning the second book in my series Silent Sea Chronicles. I know I’m guilty of creating nodding, grinning character who laugh and cry far too much. There are plenty of other examples of words that you may not even realise you are overusing (that being one!), and a multitude of alternatives to try.

Kathy Steinemann uses imaginative examples of how not to write sentences, along with examples of how to improve your work. There are A-Z lists of alternative words, and story prompts throughout. The book gets you thinking about why you have chosen particular words, and she helps you think of ways a few well placed words can bring your story to life. There are also chapters on punctuation, how to include the senses in your writing, and a list of 400 redundant words.

I think it’s a brilliant book for every writer to have on their desk. Unfortunately, I’ve only read The Writer’s Lexicon on kindle (I highly recommend a paperback). I can imagine my paperback copy would have post-it notes stuck all over my favourite chapters. It has certainly got me thinking, and I will be using this as a guide to help me tighten the writing in my books.

5 well deserved stars.

Amazon UK  Amazon US  Goodreads

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