11 Tips to Creating Heroic Characters #amwriting #writingtips #writingadvice

I’ve been neglecting my blog for longer than I care to admit. Writing and publishing has taken over my life but I’ve missed blogging and connecting with people. So today I decided to share my thoughts on creating characters. I wrote this guest post for another blog last June for the release of The Sentinel’s Reign. Unfortunately, the blog in question is no longer active but I really enjoying writing this and wanted to share it with you.

It’s all about character

Writing characters that touch readers is something I’ve always wanted to achieve. Raised on a diet of David Gemmell and Robin Hobb, authors who create such vivid and heroic characters, how could I aspire for anything less?

When I create characters they stem for a tiny seed of an idea or a scene that just pops into my head. I allow them time to grow naturally while I jot down some scenes. Later I go back to flesh out the details and build upon their history and how it has influenced them. They soon become like people I’ve known my whole life.

Some reviewers have pointed out how my character, Tei, is immature at the beginning and rebels at the situation she’s thrust into. With time and experience, she starts to mature and accept her role. That feels like a natural progression to me. Who would like to wake up in the morning and be told ‘By the way you’re off to save the world today, go pack your bags.’

I like how characters slowly reveal themselves to the reader. You don’t meet people and find out their life story in the first 5 minutes, although I have met a few people who do tell you everything and I wouldn’t want to embark on an adventure with them!

Characters are the lifeblood of any story. I can’t imagine writing anything without starting with a character. However vague and unknown, all I need is a character in a situation and then I’m away writing and the ideas start to flow.

When I think about my books – Visions of Zarua and Silent Sea Chronicles trilogy – the characters are what make the whole process worthwhile. I love them like family and I feel the pain and heartache they suffer. I urge them to find the courage to fight on even if everything is set against them.

I’m drawn to things with strong, heroic characters, be that in books, films or TV series. So with this in mind I thought I would share my tips to creating those kind of characters.

 

11 Tips to Creating Heroic Characters Your Readers Will Love

1. Let the characters find you
I cannot sit and draft out a character from nothing, instead they need to come to me. It starts with a situation, a scene or just a snapshot of the character in my head. I write and develop on that first impression and see who has come to tell me their story.
The Silent Sea Chronicles started with a young woman lost in the forest. With her father dying, she was completely alone until two strangers arrive. From that tiny beginning, a trilogy has grown.

2. Flaws all the way
No one likes a perfect person and if your character is perfect, it’s unrealistic. There is no room to develop and change over the course of the novel. Flaws make the character. Tei is immature and naïve at the beginning of the trilogy, but by the end my readers have commented on how much she has matured.
Both Brogan and Farrell are driven by the need to do what’s right, but that is also their flaw because they have to make difficult decisions that costs lives.

3. Everyone loves an unlikely hero
It is a troop, especially in fantasy, but the fact is if the hero of your story starts out unwilling and is thrust into situations they are not equipped to deal with, they will become better characters for it.
A word of caution though – make it for the right reasons not just to fit the story.

4. Give them backstory
Characters are shaped by their past and it gives them greater depth if the reader can slowly learn about the history of the character before the story takes place. It makes them seem more real, as though they live beyond the pages of the novel.

5. Make them suffer
Everyone in life suffers. The more your characters suffer, the more they can develop. Plus it would be boring to read (and write) about a character that doesn’t have any life changing events happening to them.

6. Allow them to love
Emotions help the reader connect with the character. Whether that is love of family, friends or a love interest. To me that love, and what the character is prepared to risk saving it, defines them and the book you are writing.

7. Allow them to grow
All great heroes need to learn how to become a hero in the first place. Showing that growth will also help the reader connect with the characters.

8. Let them make mistakes – the worse the better!
How else do we learn as human beings? How bad the mistake, how many others are affected, or die because of that mistake is up to you. The darker the outcome, the heavier the burden your character must carry.
Tei feels her decisions have led to people dying and this shapes her decisions and the relationships she forges. Brogan too feels that his decision, or what he perceives as cowardice, lead to catastrophe events.

9. The path to happiness is never easy
Like most people, I like a happy-ending. But I want my characters to battle for their lives to get there.
Often, as with life, that moment is bittersweet. Not everyone can have a happy ever after, it’s just not realistic.

10. Kill off your darling – literally!
My motto whilst writing the Silent Sea Chronicles has become ‘No one is safe!’
It makes the plot less predictable to the reader and hopefully sparks some emotion in them.
If a book makes me cry then I know it’s a good one. I want to evoke that same feeling in my readers. I know the emotional response will be different for every reader, but the Silent Sea Chronicles has made me cry, so if I can’t please everyone, at least I have pleased myself.

11. Villains matter
The villains your heroes are up against can be larger than life evil, as long as they have a motive to act the way they do. And make sure they are a worthy threat, and have a credible backstory too.

A final note about characters.
I have created characters I would want to be friends with, to love or to have as a family member. I even care for my villains, who aren’t all bad deep down.
To make the reader care about your characters, first you, the writer, must care deeply for these wonderful people that inhabit the world you have created. Hopefully your love will shine through in the writing and the readers will form those same bonds and root for your characters too.

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I hope you enjoyed my tips on creating characters and I hope to be back with more tips soon.

Suzanne Rogerson – Author of epic and heroic fantasy

Visions of Zarua   The Lost Sentinel   The Sentinel’s Reign   The Sentinel’s Alliance

You can follow me on

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Guest Post – Dan Alatorre – 6 Steps to Creating Memorable Characters #Tuesdaybookblog

After my exhausting two week blog tour, I’m happy to take a break and hand over to another blogger Dan Alatorre. Today he shares with us a guest post all about creating memorable characters using his newly released book ‘The Navigators’ as a guideline.

Enjoy.

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6 Steps To Creating Memorable Characters – a guest post by Dan Alatorre

As young readers, we probably loved a character that we saw in a book and ended up carrying that character with us the rest of our lives. As adults, we still love big screen movie icons and characters from books, wishing we were that courageous or that suave or that funny.

As authors, we want our readers to feel that way about the characters we create.

Findlay, the bad guy in The Navigators, my fast-paced sci-fi thriller about a group of paleontology students who make an amazing discovery, was accidentally created – by the good guys!

Melissa, the hero in this new release, starts out as almost a secondary player. “Missy” eventually she takes over and saves the day.

Peeky is Ishmael watching Captain Ahab go crazy after the whale, merely a witness to events, until we learn what he’s hiding. Then we realize nothing is what it seems in this story, why he’s the narrator, and that we are in for a fun ride.

So that’s WHAT they are; HOW do we make them memorable?

 

  1. Whether real or larger than life, the reader has to connect with the character.

When you read The Navigators, you have a feeling about most of these characters before the end of chapter one. I make them a person the reader identifies with – and not always in a good way.

As kids, we’ve all known a bully. We’ve all had a crush on somebody we couldn’t talk to. We’ve all had an embarrassing secret get out – maybe at a really bad time. We don’t forget that stuff, and if we’re reminded of it in a story, we are right back in the eighth grade cafeteria, dropping our lunch tray in front of the whole school. We’re with the character right up to our eyeballs.

That’s gold for an author.

I showed Peeky as likable, then much later I revealed his secret and showed him to be less than likable, and by the end of the story he had regained the readers’ sympathy.

But we first made him likable. I did that by having other characters show they like him.

But… we had to like them first.

Missy has achieved status in the group of friends by being smart and hard-working. Missy is also the moral compass of the male-dominated clan. She isn’t afraid to set everybody straight. These are all admirable qualities, so we like her. When she jokes around with Peeky, we like him because she does.

 

  1. Make the character a whole person with three dimensions.

The reader transfers that initial fondness – and gives the benefit of the doubt – to Peeky. Later, he will have to demonstrate his worth, which he does by trying to save his drowning friend’s life – but only after he accidentally sees Missy go for a near-naked swim. He feels bad about seeing her, but he’s human. So now we see he’s flawed, and we appreciate his shame. We feel that shame, too (after all, as we read it we were right there watching with him). He’s complex and three-dimensional, not a cardboard cut out.

 

  1. Have your characters grow during the story.

I kind of explained Missy there, but here’s the rest. She a graduate student but she isn’t in charge of her life yet. She doing what she’s supposed to do and it’s only after she sees how easily everything can be taken away, like she’s seen studying great civilizations in the past, that she steps up and takes charge, ultimately taking charge of the entire group.

 

  1. Solidify our opinion of the character.

Mr. Mills, her dad, is a rich and powerful man who is a big teddy bear when his daughter is around. Readers like Missy a lot, and when she’s in for a big time scolding from dad, they love that he can’t help himself and just gives her a look and then bails her out while giving her a bear hug. We all want a dad like that. We love him, he loves her, and that reaffirms our good feeling about her. We trust her even more. We’ll follow her anywhere. She’s becoming larger than life.

 

  1. An adversary that challenges the hero

Findlay, our bad guy, starts out as a good guy! He gets made into the bad guy only after the gang cuts him out of his contribution to the discovery. So he has a vendetta, but from his perspective, he is in the right.

 

  1. If the bad guy is reeeeally bad = the good guys are even more good.

When Findlay captures Peeky, our meek and mild-mannered narrator, Findlay tortures him (verbally). Readers start to hate Findlay now. He already did things to mess with our heroes, but when he gets Peeky, Findlay dials it up to ten. He says and does things we’ve had said and done to us, and Peeky squirms the whole time. And I drag it out, so you really feel it. Findlay embarrasses Peeky. He then humiliates him. He makes sure every awful rock in Peeky’s past has been turned over and then almost makes Peeky grovel. Nobody wants that to happen to them. And the whole time, Findlay keeps saying Peeky’s name in a taunting manner. “You sat and watched them beat me up, didn’t you Peeky?” and “You didn’t help, did you Peeky?”

We’ve all had some kid on the playground in our face doing that. Nobody likes it, and by relating that commonality readers will feel what the character feels.

Then we have to show (red cheeks, squirming, wiping his sweaty palms) our character feeling what we want the reader to feel, and we have to take it to a new higher dramatic level, but we do it best by drilling down to our own core and taking the embarrassing, humiliating, cheek-reddening, never-forget-no-matter-how-hard-I-try stuff from our own lives, and putting that emotion out there for all to see and saying YOU’VE BEEN THERE, TOO.

That works. The readers connect again.

Bingo.

Memorable scene, memorable character(s).

Everybody who reads The Navigators comes away hating Findlay.

They all love Mr. Mills.

They cheer for Missy at the end and feel positive about where she’s going in her life.

And they are divided about Peeky. Most readers like him; a few don’t. That’s how he was written, so I did it right.

 

But who will they never forget?

The ones they connected with most. That’s why you have to put yourself in there. Your heart. Because it’s different for everybody but when you go there yourself, you make it universal.

 

Dan Alatorre is author several bestsellers. His new novel, The Navigators, is a fast-paced sci fi thriller that breaks new ground in its fascinating characters and truly unique story.

The Navigators (global link)

http://geni.us/navigators

 

Dan’s Amazon author page

http://www.amazon.com/Dan-Alatorre/e/B00EUX7HEU/ref=sr_ntt_srch_lnk_1?qid=1432312819&sr=8-1

 

Dan’s blog

www.DanAlatorre.com

 

#Writers – looking for inspiration?

When I get stuck for story ideas or am in need of some inspiration I love to look through my magazine collection. I’ve found new counties and countries that might feature in my stories, possible characters, interesting facts, buildings and objects, articles on crafts and quirky details that might spark story ideas.

Some of my favourite magazines are:

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Countryfile – This magazine is always filled with inspiring stories, beautiful walks and landscape photography, crafts and seasonal articles. Plus they usually run a few pages on a chosen location with lots of interesting facts and pictures. It’s been a source of many of the photos on my wall for my W.I.P – Search for the Sentinel.

 

Discover Britain – this magazine is brilliant for pictures and articles about Britain. They have a focus on history and places to visit in Britain, and each issue will star a particular county i.e. Norfolk for the magazine in my picture. They have headers like History, Architecture, Art, Gardens and a Travel guide. Plenty to inspire…

Lonely Planet – The spectacular photographs are the stars of these magazines. I also find lots of interesting articles on places all over the world. They have monthly features like Globetrotter, Easy Trips, Great Escapes and Mini Guides.

My collection of writing magazines – These always have interesting articles to learn from and inspire, and I always head straight to the competition pages to see what’s coming up that I may be able to enter. I like the themed competitions for inspiration, and those that offer critiques for a small fee – possibly the most valuable thing to come out of entering competitions (if you don’t win that is!).

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I’m always on the look out for interesting and quirky magazines. Do you have any to recommend?

 

What I love about writing… #writing

Characters have always been the most important factor in fiction for me. It’s good to read a blog post that focuses on this and expresses my views.

Historical Novels and Epic Fantasy

writingpicture from en.wikipedia.org

What do I love about writing most? Well, it’s the same things that made me such an avid reader in the first place.  Books have the ability to transport us to new worlds, or periods of time that are otherwise completely locked away from us.  The immersion can be so deep from a novel that we can imagine every step that any given character makes, and it is bringing those same characters to life that is the greatest joy for me as a writer.

A book needs to be well written and full of descriptive passages, as they play an essential part in setting a scene and giving the writer’s world depth.  But it is the characters within that world, their hopes, wishes, loves, and desires that will make the story come to life.  When constructing a character for a novel, you want to be able to…

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